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The Thrill of the Chase
by
Lee Wangstadt, ACBS Member It
didn’t exactly come out of nowhere. I had taken a call about a boat that was
for sale about six months prior. The owner had bought the boat 18 years
earlier. He’d been to an auction the day after his first son was born. As
often happens at an auction, he found himself caught up in the frenzy of the
moment. Without putting too much thought into it, he suddenly found himself
the owner of a boat. The idea was to fix it up for his family to use as the
kids were growing up. It wasn’t really considered a classic back then, just
a cool looking boat that he thought would look good out on the water with
his family on board. As
time passes, things get in the way; the boat never gets done. His son is now
graduating from high school and the boat is still a project waiting for its
time to arrive. The only difference is that now it has lost its trailer and
has been placed into outside storage behind the shed. The years haven’t been
easy on it, but it is complete and the hardware is still in remarkable
shape.
A 1959 Cutter; Boat and hardware designed by Brooks Stevens.
Just
another boat transaction? Not really. The fate of the boat is over at this
point. It was bought for the two rear flag pole sockets that are sold the
next day for $125 each. The rest of the hardware, windshield, and
miscellaneous pieces are stripped and put into storage while the rest of the
boat is put – ingloriously – out to pasture… literally. A quick $50 profit
and another complete boat bites the dust forever. I’m beginning to feel more
like an accomplice at this point. Below, a detail from an old Attwood Brassworks ad for their Seaflight Riviera fittings.
But
hey, that’s not my issue. How in the world can anyone justify $125 for a
single piece of chrome plated bronze? I mean, these are the same pieces that
we used to find for a couple of bucks and just give away if someone needed
them. I still remember finding the Jervis step pads and the chrome surrounds
that are on my ‘57 Thunderhawk in a secondhand shop, still in the original
packaging. They were priced at $1.00 per pair and there were two pairs at
the bottom of a dirt encrusted box that took me about a half-hour to get to
the bottom of. The packaging was completely black with dirt, but the rubber
and chrome cleaned up just like new, which they were. I walked out of the
shop about three feet off of the ground. The ones that were on my boat were
presentable, but heck, what a deal! You‚d better believe that they look
great on my boat, and my old ones look just as nice on a friend’s boat who I
gave them to.
Several other old boat guys that I know used to frequent the same shop, yet
never came up with the step pads. People ask me how I come up with so much
stuff. I have to tell them that I look. If I’m passing through some small
town and see an antique shop, I stop and take a quick look. If you know what
you’re looking for, it’s easy and fast. I
found an Attwood Riviera bow light in much the same way. Some people call
this the “spaceship” or “Starship Enterprise” bow light. Again it was at the
bottom of an old wood box that was full of old door hinges, lavatory
faucets, tools, and other forgotten gizmos whose origin or purpose are still
a mystery to me. This was in a bona fide antique shop, but was up in the
attic of the barn amongst all of the “guy stuff.” How fortunate that it had
such a thick layer of mud covering it so as to protect it from the rest of
the junk in the box and also disguise it, protecting it from those who might
buy it just because it shines. It had no price on it and the docking light
lens was missing. I brought it down to the register and asked the proprietor
if he had any idea of what it was. He said that it must be off of a truck or
something. I suggested that it might be off of a boat and asked how much he
wanted for it. $5. It certainly sounded like a good deal to me. It wasn’t
that long ago and now these things are going for over $300 on ebay. How
can the same satisfaction come from just logging on and spending a lot of
money for something? Sure, there is pride in ownership, but at what cost?
And how is this affecting the rest of the hobby? I’m not meaning for this to
head into the professional versus hobbyist, but can you see my point? The
professionals don’t have the time or patience to hit every small town
roadside stand. They come to depend on people like myself, who just enjoy
the search and revel in the find. Am I unwittingly becoming a part of this
massive inflationary infusion that is taking a lot of the fun out of our
hobby? A lot
of the fun used to come in finding “the deal.” And I’m not talking about
screwing someone out of something. What I’m addressing is the old fashioned
idea of putting a lot of hard work into the search/find, settling on a fair
price and both parties walking away satisfied.
Online auctions have had such a profound effect on the market for these
items. I’ve bought a couple of items, but it’s not nearly as much fun or
satisfying as stumbling across it in some far away small town. The biggest
effect has been to raise the prices on things that were once obtainable at
reasonable cost not that long ago. I do
understand the law of supply and demand and the theory that if I want it, I
have to buy it and pay the seller’s price for it. I have lived by that
credo. I have a lot of stuff, but it has taken me a long time to get there.
I’m glad that I have all the stuff that I need, I certainly couldn’t afford
to obtain it all over again at the prices that they are getting today. I
keep telling my wife that she’ll have a great time at my auction. You know,
my estate auction, the one that they’ll have after I die. All of my friends
will come around bidding against each other, fighting for the stuff that I
found while they weren’t looking. They’ll probably be paying about half the
price that I did! One
thing that won’t be at my auction are boats that have been stripped of
hardware, plucked clean, nothing but hollow shells. My friends will find
some really great hardware pieces though, discovered one at a time, at
reasonable cost, and treasured by someone who has appreciated them for the
bold statement that they made in a market that lived and died by style
alone. Designed by such luminaries as Brooks Stevens, Alex de Sakhnoffsky,
and Raymond Loewy, each line has its own distinct identity, a reflection of
the style and taste of their creator. Where will we be ten years from now? Twenty years? After my auction, of course, it won’t make a whole lot of difference to me, I won’t be here or have much use for any of it. Right now I feel that perhaps I have enough, maybe too much. I’m sure that as prices spiral upwards, it will become more feasible to make reproductions of the really valuable pieces. Until then, I’ll just have to make do with the originals that I have. The last thing that I want to be associated with is having a nice portfolio of “investment hardware.” And don’t even get me started on hoarding.
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